8 Most Addictive K-Pop Choreography In 2022 (Part 2)

If you’ve been actively consuming K-Pop content, you’ll know that 2022 has been a year of wonderful comebacks and debuts. Fans have witnessed a lot of solo debuts— congrats to TWICE’s NaYeon and Red Velvet’s SeulGi, by the way— and beautiful comebacks this year. Of course, one of the most important things fans remember is the choreography of each K-Pop group’s release.

Nessie, Staff Writer
3 min to read · Published : Nov 7, 2022

8 Most Addictive K-Pop Choreography In 2022 (Part 2)

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Of course, one of the most important things fans remember is the choreography of each K-Pop group’s release. While we have highlighted ‘5 Most Addictive K-Pop Choreography’ once before, a lot more comebacks and debuts have been made since then. Among these newer releases, and we will highlight here another 8 of these most addictive K-Pop choreographies in 2022. It seems a lot of groups only get better and better.

1. SEVENTEEN – ‘HOT’

Remember the HYBE “Game Caterers” with Na PD? When every single idol under HYBE present for the program danced along to SEVENTEEN’s explosive title track, it was truly a moment to remember. Not only had the fluid choreography gone viral, it’s also known by a good number of idols. What a way to set a trend in 2022!

2. NewJeans – ‘Hype Boy’

It goes without saying that NewJeans’s debut took the whole of South Korea and a considerable portion of non-Korea by storm. As if the attention that ‘Attention’ gathered wasn’t enough, ‘Hype Boy’ was released, and literally everyone was dancing to it. The choreography was so addictive that the ONF and SF9 members in the military performed the song for their fans.

3. NaYeon – ‘POP!’

You may have had to bend your fingers out of place to get the choreography of NaYeon’s debut song. It’s understandable. The choreography for ‘POP!’ was so fun and catchy that fans and idols alike couldn’t help but dance to it. Even on an online fan meeting, aespa’s Ningning cutely danced to this bop, and the fan couldn’t have been happier.

4. NCT 127 – ‘2 Baddies’

The phrase ‘2 Baddies, 2 Baddies, 1 Porsche’ shook the NCT fandom, and almost every NCTzen was singing the line at some point. The accompanying choreography to the chorus was constantly danced by fans and idols, and the addictiveness mostly lay in the simplicity and fun in the movement. Trust NCT 127 to nail such a complex yet relaxed concept.

5. TXT – ‘Good Boy Gone Bad’

TXT are known for their meaningful and impactful music, but their choreography also has its fair share of hype. The choreography for this dark-themed comeback was pleasantly addictive. The rock elements in the music paired with the slow, breaking dance the members used was one to remember, for sure. A lot of fans will also agree that BeomGyu’s dance for his pre-chorus part was fantastic.

6. NMIXX – ‘DICE’

According to NSWERs, ‘DICE’ is the best possible comeback NMIXX could have. They came through with vocals, visuals and insane rap skills. The choreography overall was absolutely amazing, but the choreography for KyuJin and JiWoo’s rap verse was the real highlight. Termed the ‘big wave’ dance, it certainly sets the bar for addictive K-Pop choreography, while giving a warning to not avoid the big wave either.

7. LE SSERAFIM – ‘ANTIFRAGILE’

Even though this super rookie girl group just debuted this May, they already have fans’ eyes glued to their addictive choreography. Much like their debut track, ‘ANTIFRAGILE’ requires sleek, controlled energy and charisma. With all that combined with each member’s singing, it’s no doubt fans won’t stop dancing to this song. The most memorable part of this comeback had to be the even more addictive refrain. A lot of fans won’t be getting that out of their heads either.

8. aespa – ‘Girls’

The second this bop comes on, a lot of fans can’t help but raise their legs and copy the gun hand moves. Just like their previous title tracks, the choreography for ‘Girls’ was intricate and edgy, making it an instant industry favourite. It’s no surprised fans would find this choreography addictive and irresistible to follow.

Which of these choreographies do you fancy the most, and do you have a favourite addictive K-Pop choreography? Don’t forget to let us in on those choreographies in the comments below!

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SEVENTEEN's Maestro Is Here - Discussion On The Most Anticipated Anthology Album Of The Year

SEVENTEEN's anthology album is a reminder of where this group all began! Come down memory lane as we discuss one of the most anticipated albums of the year.

Kianna, Staff Writer
3 min to read · Published : May 3, 2024

SEVENTEEN's Maestro Is Here - Discussion On The Most Anticipated Anthology Album Of The Year

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Nearly 9 years into the industry, SEVENTEEN's first anthology ahead of their anniversary leaves us feeling nostalgic, proud, and a wave of emotions. Their album "17 Is Right Here" details the group's journey over the last few years and tops it off with four new tracks on the album, one group, and three sub-unit tracks. Each unit shined in its way for the tracks 'Spell', 'LALALI', and 'Cheer To Youth', showing off individualistic skills and raw talent. However, when the 13-member boy group combined for their title track, the synergistic effect reminded us why they're one of the top names in the K-Pop world. Their title track 'Maestro' garnered attention worldwide as it told the important message of "Who is the real MAESTRO?"

The reliance on technology is becoming increasingly popular, especially with the rise of AI and its uses. Social media has played a drastic role in the popularity and has seeped into the K-Pop world. It's unsettling how easily you can find a cover from your favorite idol but an AI machine completely sings it. The uncomfortable discussion of "Do we need artists anymore?" is debated among the census.

Many artists in the industry have spoken out about this phenomenon, but SEVENTEEN truly struck many of their fans with a powerful clapback at the use of AI. 'Maestro' details that the only true leaders are artists themselves. Set in a dystopian reality, with visuals of SEVENTEEN members battling machines, and leading others like a conductor, the boy group hit the mark on what it truly means to be the "maestro." Machines can not replicate true artistry, and SEVENTEEN's commanding title track is a reminder that technology can never replace them.

Apart from the title track, the group released three songs for their respective sub-units. Similar to its twin sister 'Fire', 'LALALI' by the hip-hop unit, consisting of S.Coups, MinGyu, Vernon, and WonWoo, was oozing with energy and pure entertainment. 'Spell' by the performance unit, consisting of Hoshi, Jun, THE8, and Dino, not only hypnotized us with its sultry sound but smooth, afro-inspired dance. Ending on a high note, the vocal unit song, consisting of WooZi, JeongHan, Joshua, SeungKwan, and DK, sings of encouragement and an anthem to the youth.

The new songs truly emulated a new side of SEVENTEEN but how could we forget the originals? The album feels like a walk down memory lane, invoking feelings of nostalgia as disc 2 of the album starts with their debut 'Adore U'. From the start with 'Adore U' to now 'Maestro' the two title tracks have stark differences in sound but mimic the essence of SEVENTEEN in every way.

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Even though SEVENTEEN has been in the industry for quite some time now, this comeback feels like the mark of a new beginning for the group and the music they want to share with fans. The group plans to release another album towards the end of 2024 and have already completed their South Korea stops for their "FOLLOW AGAIN" tour recently. We're expecting much more from the group and look forward to what surprises they'll have for their "9th CARAT LAND" fanmeeting this year.

How did you feel about "17 Is Right Here?" Let us know on X!

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